This Floating Poo Was Way Too Meaningful! It's the Television Disappointments of the Year.
Looking back, we reflect on the TV landscape of the past year, a selection of shows stand out not for their excellence, but for their notable shortcomings. From awkward spin-offs to confusingly poor documentaries, here are the productions that left us scratching our heads or just reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this divisive follow-up? Burdened with dreadful writing, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to find its footing. For a moment, as the third series began, it seemed as if it had finally found its groove. Then arrived an episode all about Seemaâs natural deodorant. No wonder the showrunner announced this would be the final season. It concluded on a low point; the lingering shot of Mirandaâs toilet full of poo was just way too on-the-nose. Still, viewers certainly had a hoot dissecting every single âwtf?â moment. And as Carrie â a single woman once more â twirled around her sprawling townhouse to Barry White, who couldn't release a little sob?
The Kim Kardashian Drama
âIs Kim Kardashian an actress? The answer is a resounding no.â
But that was almost the smallest of this drama's issues. The recipient of a very rare no-star review, it was difficult to know where to start enumerating the problems. The laughably leaden writing? The tedious veneration of affluence and consumption? The almost wilful procession of cliches? Performances so bad they felt almost malicious? Letâs just say âall of the aboveâ and forget about this show again. Except, a second season has been ordered, so weâre probably going to have to.
AKA Charlie Sheen
Given the legal troubles, abuse allegations and parental failures, itâs reasonable to say Charlie Sheen has been a bad boy. Not that youâd really have known it from this multi-part documentary which smirked its way at Sheenâs various episodes of reckless excess while failing to tell us a single thing we didnât already know. Instead, it felt as if this loose cannon was being indulged, so any pity this series might evoke should be reserved for the people who have had to endure proximity with this charismatic but flippant egotist.
The Iris Affair
Of course we knew it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world â or annihilate all of humanity. We persevered out of pure love for its leads ⌠but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe ⌠in super slow-motion. That's what you call giving up the ghost.
The Gangster Drama
Dodgy figures meeting in empty boxing gyms? The Prodigyâs Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.
Actually, that is unfair on the crime shows of the late 90s. Many seem a bit dated now, but at least they didnât suffer the embarrassment of having to accommodate unconvincing accents. But there were many other issues. Mainly that it was just profoundly boring; a dispute over drug-selling territory between various London picaresques which seemed rather simplistic.
With Love, Meghan
Given the extent to which she provokes the ire of certain performatively enraged commentators, itâs almost easy to admire the Duchess of Sussexâs televised ventures into quaint lifestyle as deliberate provocations. But then you watch them and are compelled to concede that actually, they might have a point. Itâs like watching a homeware catalogue animated; a meme for wine oâclock with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental platitudes and pointless crafting âhacksâ youâll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.
Victoria Beckham
There are clearly fascinating things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for whatever reason, this three-part series chose not to say them. Instead, the viewing was akin to consuming a marketing brochure. She clearly has every right to bridle at what she describes as her âsternâ image. But unfortunately, she didnât do herself any helps with this cagey letdown of a series.
The Inheritance
It had the potential to be the next big hit â except even camper, with a famous star playing dead and a well-known personality managing her estate. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: itâs still too complicated to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was trying way too hard to live up to something way beyond it.
Too Much
How do you follow a show that captured a generation? The expectation was immense for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of famous cameos involved felt icky.
Mitchell & Webb Are Not Helping
Not good enough to be âunevenâ.
Given the shrewd inclusion of gifted emerging comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a while longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isnât it. The subject matter needed to be treated with care. Rather, the series laboured awkwardly to find the right voice, lurching from oddly breezy, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Absolutely.
The Maths Genius Thriller
We love the star ⌠but did we buy him playing the greatest maths genius in history, a man so intelligent heâs on the brink of a discovery that could destabilise society? Nope! This international thriller about government agencies spying on â and killing off â intellectuals honestly got more absurd by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This hagiography followed the online personality renowned for sexual exploits as she undertook her most extreme challenge yet. What on earth would possess her? What we craved was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who showed up to haul her son away from the queue. What we got was disturbing imagery and absolutely no interrogation of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.